Terracotta as a solid colour, not as a pattern.

M06 is a terracotta clay colour, flat and matt, with none of the tonal variation of a fired clay tile. It reads as pigment rather than as a material imitation, which is why it tends to be used in full-height walls and joinery fronts rather than on floors.
It is supplied at 12 mm only. At 20 mm the colour is the same but the weight of a full 3200 × 1600 slab in a strong colour is rarely what a vertical application wants, and we would rather not carry a thickness that gets specified by accident.
A note that saves a conversation later: strong colours are the ones most affected by lighting temperature. Under 2700 K this reads richer and slightly redder than the sample looks in daylight.
Typical values for the body. The two marked as sample references are supplied with this template and must be confirmed against your own project requirement before you rely on them.
Two people and a frame move it; a suction rail does the rest. The reason the format matters is not the size of the slab, it is the number of joints that disappear from the drawing.



A three-metre island in 3200 comes out of one slab, with the waterfall ends book-matched from the same piece. In 1200 × 600 it is nine pieces and eight joints, and every one of those joints is a decision somebody has to make on site, at seven in the morning, with the client arriving at nine.
Same body, same formats, same technical file structure — the difference is what the surface does in the room.
Datasheet, CAD slab outlines and the care guide. No form, no email address required — the same files your fabricator will ask you for.
A 200 × 200 mm sample tells you what a photograph cannot: how the surface behaves under the light in the actual room.
Sintered stone and engineered quartz surfaces, pressed and fired in Castellón for architects and fabricators in Europe and North America.
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